Borrowed Wisdom

Letting go is a common theme at the end of a year. At least three friends have mentioned burning bowl ceremonies recently which offer a ritual to consider worries or habits or relationships we intend to release. And objects, too. I go through closets and cabinets, and John is cleaning out the garage each afternoon—finding things to give away to make more room. 

I am reminded by my sweatshirt, which is worn and faded, but still my favorite to slip into mornings when the house is cold, that there is a keep pile, too, even from these pandemic years. I want to carry forward this renewed admiration for simplicity: The way make-do yoga class on the lawn with friends can turn into my favorite way to do yoga. Or the joy I get from seeing how the library in our backyard along the trail evokes smiles.

This year, along with clothes and books to re-home or reread, I have a lot of index cards with words authored by others scattered around my office, used as bookmarks, or piled into stationary boxes where I someday intend to do something with them. Sifting through them now is slow going, as I remember all I’ve read, all I want to someday write.

And I know exactly where this tendency comes from! My mom was a collector of words. Before I could even read, we memorized favorite poems by Robert Louis Stevenson and recited Madeline like a duet. When I was school age and the new Reader’s Digest arrived, Mom and I would read our favorite “Quotable Quotes,” aloud to each other, me sitting on the shag carpeted stairs, my mom on the couch staring out at the trees. It was there I was introduced to Carl Sandburg and T. S. Eliot and Margaret Mead!

Later, Mom gathered quotes into books she called Borrowed Wisdom that my dad printed and bound using his recycled calendar company materials. She would pass them along to us at Christmas. Mom wrote her own poems, too, but I think finding quotes that illuminated the truth she carried inside her gave her hope and a sense of connection.

In past years, I’ve included a list of books I’ve read and loved from the prior year in a post. With school, that list is skewed and sprawling in ways that makes it more difficult for me to know what to include. Instead I’ve decided to share some of words that prompted me to grab a pen and index card mid-page, a curated collection from the keep pile.

Borrowed Wisdom 2021

Ancestors

The world today is just as full of sacred presence as it was centuries ago. With the hardening of our minds we are no longer able to feel and sense the ever-present sacred the way our ancestors did. We desperately need to retrieve our capacity for reverence…we let our days fall away like empty shells and we miss all the treasure.

John O’Donohue, Eternal Echoes: Celtic Reflections on Yearning to Belong (76-77)


Walking I am listening to a deeper way. Suddenly all my ancestors are behind me. Be still, they say. Watch and listen. You are the result of the love of thousands.

Linda Hogan, Dwellings: A Spiritual History of the Living World (159)


Our stories from the oldest days tell about the time when all beings shared a common language–thrushes, trees, mosses, and humans. But that language has been long forgotten. So we learn each other’s stories by looking, by watching each other’s way of living. I want to tell the mosses’ story, since their voices are little heard and we have much to learn from them. They have messages of consequence that need to be heard, the perspectives of species other than our own. The scientist within me wants to know about the life of mosses and science offers one powerful way to tell their story. But it’s not enough. The story is also about relationship.

Robin Wall Kimmerer, Gathering Moss: A Natural and Cultural History of Mosses (vii)


I wash her neck and lift the blankets to move down her heart. / I thank her body for carrying us through the tough story.

Joy Harjo, “Washing My Mother’s Body,” An American Sunrise (32)


Toward the end of her brilliant career, Kübler-Ross was convinced that there really is no death, only a leaving of the body to take another form. Like those who believe in an afterlife, resurrection, or reincarnation, death becomes, then, not an end, but a new beginning. These insights, however enlightening, do not change the fact that in death we surrender our embodied life on earth. Love is the only force that allows us to hold one another close beyond the grave. That is why knowing how to love each other is also a way of knowing how to die.

bell hooks, All About Love (202)

Action

We are capable of bearing a great burden, once we discover that the burden is reality, and arrive where reality is.

James Baldwin, The Fire Next Time (91)

We cannot name or be named without language. If our vocabulary dwindles to a few shopworn words, we are setting ourselves up for takeover by a dictator. When language becomes exhausted, our freedom dwindles–we cannot think; we do not recognize the danger; injustice strikes us as no more than “the way things are.”

Madeleine L’Engle, Walking on Water: Reflections on Faith and Art (30-31)


If we really knew how unhappy it was making the whole planet that we all try to avoid pain and seek pleasure–how that was making us so miserable and cutting us off from our basic heart and our basic intelligence–then we would practice meditation as if our hair was on fire.

Pema Chödrön, When Things Fall Apart: Heart Advice for Difficult Times (104)


So the practice is not to fight or suppress the feeling, but rather to cradle it with a lot of tenderness. When a mother embraces her child, that energy of tenderness begins to penetrate into the body of the the child. Even if the mother does’t understand at first why the child is suffering and she needs some time to find out what the difficulty is, just her act of taking the child into her arms with tenderness can already bring relief. If we can recognize and cradle the suffering while we breathe mindfully there is relief already.

Thich Nhat Hanh, No Mud, No Lotus: The Art of Transforming Suffering (27)


If we merge mercy with might, and might with right, / Then love becomes our legacy, / And change our children’s birthright.

Amanda Gorman, The Hill We Climb (25)


Freedom is only part of the story and half of the truth…In fact, freedom is in danger of degenerating into mere arbitrariness unless it is lived in terms of responsibleness. That is why I recommend that the Statue of Liberty on the East Coast be supplemented by a statue of Responsibility on the west coast.

Viktor Frankl, Mans Search for Meaning (132)

What happens when they realize that the Americans don’t actually care about this?Well, do you think they don’t?” If they did, I’m sure I wouldn’t be the one making this clear to the Salvadorans. “You’re right. That is an excellent observation, but don’t worry. No one is going to admit having listened to a poet. That is your protection. Now try to get some sleep.

Carolyn Forché, What You Have Heard Is True: A Memoir of Witness and Resistance (185)

Spirit

The poem Death finally conjures up the moment (while I was standing one night on the beautiful bridge in Toledo) a shooting star which fell through outer space in a taut and slow curve passed at the same time (how shall I put this?) through inner space: The dividing contour of the body was no longer there.

Rainer Maria Rilke, The Dark Interval: Letters on Loss, Grief, and Transformation (24)

All too many people attempt to face the tensions of life with inadequate spiritual resources. When vacationing in Mexico, Mrs. King and I wished to go deep-sea fishing. For reasons of economy, we rented an old and poorly equipped boat. We gave this little thought until, ten miles from shore, the clouds lowered and howling winds blew. Then we became paralyzed with fear, for we knew our boat was deficient. Multitudes of people are in a similar situation. Heavy winds and weak boats explain their fear.

Martin Luther King, Jr. “Antidotes to Fear,” Strength to Love (127)


As I grow older, I discover more and more that the greatest gift I have to offer is my own joy of living, my own inner peace, my own silence and solitude, my sense of well-being.

Henri Nouwen, Life of the Beloved: Spiritual Living in a Secular World (113)


God is both intimate and ultimate.

Richard Rohr, Just This (64)


Know that your vision will follow you back and must be incorporated into your life and the lives of those you know. The best way to communicate your experience to others, says [Steven] Foster, is not to talk about it but to live it. “Vision if it is anything, is your life story in action.”

Greg Levoy, Callings: Finding and Following an Authentic Life (162)

And we might, in our lives, have many thresholds, many houses to walk out of from and view the stars, or to turn and go back to for warmth and company. But the real one—the actual house not of beams and nails but of existence itself—is all of earth, with no door, no address separate from ocean and stars, or from pleasure or wretchedness either, or hope, or weakness, or greed.

Mary Oliver, Long Life (24)


This is why we love the earth, honor the human body, and bless the stars. Religion is not just a matter of things unseen. For us the Holy is not hidden but shows its face in the blush of the world’s exuberance.

William F. Shultz, quoted by Forrest Church in Chosen Faith (193)


The final verse is always the trees.

Joy Harjo, “Exile of Memory” An American Sunrise, (13)

More Resources

When People Change Their Minds, a recent NYT guest essay by a palliative care expert, mirrors what I have often heard from those who work with the dying and facilitators of Death Cafés: the most important end-of-life planning is to select a health agent who knows you well and understands what is important to you. I might add, to have conversations about end-of-life matters early and often with those you love, so it isn’t so hard to talk about when someone becomes sick or when circumstances and perspectives change.


My Art, Religion, and Contemporary Culture course included an incredible materials including films about extraordinary artists that broadened my perspective considerably. I’ve listed three below that especially spoke to me, but there are many others that I included on my Library II page. With thanks to my UTS Art Instructor, Dr. Jennifer Awes-Freeman for introducing me to these and so much more.

Kusama Infinity: The Life and Art of Yayoi Kusama (YouTube, Also available as a rental on Prime).


Jeong Kwan, Chef’s Table (Also available on Netflix). Jeong Kwan is a monk in Korea who cooks for the temple community. So much beauty.


Muralist Judy Baca and Social Public Art Resource Center (short YouTube clip) This is a segment from a PBS episode of Neighbors. What Baca says in the first two minutes is priceless (and the rest, too).

Thank you for reading! If you would like to receive a copy of Tending to Endings when it posts, please leave your name and email. Tending to Endings aims to build community and conversation around end-of-life matters.

Touching Grief

Tending to Endings (fifty-six)

I almost missed the iris this year! I made it home from Hawai’i at the end of May to catch the tail end of their bloom. I’ve always loved the curvy shape and deep color of an iris. And these days, more than anything else, they make my think of my friend Teresa and her story about her mom (which she shared in more detail in a post last spring).

Teresa moved back to Boise in 2016 after a particularly difficult time in her life. One of the many things she mourned leaving were the iris bulbs from her mother’s garden that she had transplanted into her Montana yard. She had moved in winter when the ground was frozen, and so she could not dig them up.

Teresa began to rebuild her life in Boise and was able to buy a beautiful cottage that called to her. The first spring when flowers began to bloom, Teresa discovered her new home was surrounded by irises. She knew she was in the right place. Or as Teresa put it, “God is fancy.”

I am so grateful to know that story. I love feeling that leap of love–that connection to my dear friend and her mom–when I see an iris.

It has been a gift to gather these photo stories for our virtual memorial. Thank you for sharing your heart and honoring your loved ones here.

Artifacts of Loss and Love

This elephant pin cushion belonged to my granny.  I remember as a very young child (probably around 6) that my granny would pull this down off the shelf for me to have something to play with when I’d visit.  I would pull the pins out and redesign the pattern of the elephant.  Now that it is so old it has faded to the pattern it is now so there is no redesigning it anymore.  I imagine I was the last one to place the pins where they are now.  Funny to think this is the toy a 6 year old would play with but I sure did love it and am so grateful I have it now. Patty Marks  


These shadow puppets belonged to my close friend, Alberta Dooley. They hung in her therapy office, her college office, after retirement in her living room, and after her death on my wall. We shared our lives, our families, and our confidences for forty years, but there were bits of herself she always kept in the shadows. Mary Ellen McMurtrie

My sister-in-law Cheryl made the urn out of my brothers’ ashes, after they both died within a month of each other in 2016.  I think of Cheryl’s hands shaping this, pressing the lip into place, brushing the blue-green glaze, her favorite combination of colors.  She used her tears as slip for the clay.  Now Cheryl is gone, too, and her fingerprints are all that I have left of a friendship that started even before she met my older brother, over 40 years ago. When I pick up the vase, I imagine my hands over hers as we both hug these men, each in our own time. Ana Halland

I was living in Yuma and my brother Miles was living in Tucson and we would meet to go hunting. These were some of the best times I spent with Miles before things got too bad. We were by the campfire one night and he told me how much I meant to him and he gave me this buckle. It was made by a favorite artist of his in Tucson, and I knew it was hard for him to give it to me and that he gave it to me because he loved me. To tell you the truth, I never wanted to remind Miles that he gave me his buckle because he might want it back. So I never brought it up. The whole thing meant so much to me, I wasn’t taking any chances. John Westover

Growing up, I spent a lot of time at my Grandma’s, whether it was after school or over the weekend when my parents were on an adult trip. My Grandma always had a cup of coffee, some type of homemade sweet on the counter, and she was always cold. Whenever I said I was cold, she would always ask, “would you like a robe?” My grandma had many robes over the years, enough to cultivate the perfect idea of comfort when looking for a robe based on season, weather, and time of day. 

My Grandma passed away in late November of 2020. Upon bringing home one of her robes, there were moments that I would just pick it up, hold it close to my face and smell the comfortable scent of my grandma standing in the kitchen drinking a cup of coffee and nibbling on a cookie. With each day the scent of my grandma has lingered farther and farther away from the fibers themselves, but each time I put the robe on, I am able to be comforted and warmed up by my grandma one more time. Ali Smith

Grandma Frances wore this watch the years of the later part of her life. I remember her drumming her fingers while she thought about something I had said or something she was thinking about doing. I also remember it flashing while she played her organ and sang “The Green Green Grass of Home.” Now I wear it most days while I teach and it reminds me how much she loved me, and would have been cheering for me to be myself. Lori Messenger

Jane Stavoe was my wife, mother to our daughters, and friend to many. Jane passed away April 2019. We bought our home in 1964 and that began Jane’s love of gardening. Jane would gather with neighbors and friends and share her joy from playing in the earth. She decided that young people needed a better understanding of where their food came from and invited 60 fourth-grade children to plant vegetables.  The school garden went on for seventeen years until we sold our home of forty-nine years and moved to a condo. 

Each year when I start planting our terrace garden and see the “Friends Rock” which was given to Jane by one of the fourth-grade classes, it makes me think of the many friends with whom Jane had shared her garden. Ron Stavoe

My mother, Jean Ingles Bedingfield, was born in 1910 and so even though this is just a broken plate of what was once a beautiful set, it has “lived” for at least a hundred years.  The set was precious to my mother and each time I look up at my shelf and see the piece I , of course, think of her with love and smile. I picture my mother smiling, too. The set was precious, but my mother was a realist and had a wonderful sense of humor.  She would love that I kept the piece and that I display it. Our connection is not broken.  Our relationship endures. Carol Buick

This plaque hung in my grandmother’s kitchen and I would sit and read it every time I visited. It made me laugh as it read with a Norwegian accent telling how to make “scandihuvian” lefsa. Besides the fact that my grandmother was an amazing cook and taught me how to make lefsa, this plaque depicted a side of my grandmother that I loved. She had a hard life growing up on the plains of North Dakota and Wisconsin. But despite the hardships my grandmother had a fun and silly side. One winter when I was 9 or 10, we made Christmas ornaments out of felt. And my grandmother said ‘that sure was some funny feeling felt’. I replied ‘I never felt any felt like that felt before’. We bantered back and forth making funnier ‘felt’ sayings and phrases for our description of felt. We thought we were extremely funny, laughing uncontrollably and nearly driving my poor mother crazy. From then on that was our running inside joke – that funny feeling felt, that we had never felt any felt like that felt before. So whenever I look at this plaque that is now in my kitchen, I warmly remember the fun loving side of my grandmother. Cam Victoria

Every time I see Rudy the Rooster, I think of my friend Susan Gardner.  She loved to go to Jim’s Diner, Rudy’s former home, for breakfast on her birthday.  Theresa Madrid

My mom was an incredible artist and left a treasure of her art work for her loved ones! I have many in my home! This particular one brings me closer to her each day! We share a love for flowers especially purple iris! Sometimes I stare at one of her paintings and realize how incredible it is to look at her brush strokes and feel connected! Grateful for the gift she left for us! Teresa McDonald

While cleaning the house in order to put our house on the market, this is one of the few old objects that made the “keep” pile. My grandma made this magic square for my 15th birthday. I can feel the love and care that she put into each stitch. It helps me remember the many blessings of the time spent with grandparents. Sandy Blethen
My mom died in her sleep ten years ago this summer. This is my stepdad who I call Papa. When I am with him I feel closest to my mom because they think and react the same – with big love. Lorelei McDermott

This glass monkey was given to me as a keepsake from my close friend Allie, who passed away. She purchased it to remind her “Not my Monkeys!” It reminds my of Allie’s gentle soul and struggle with co-dependency. I laugh when I see it because it’s just like her to get all fancy about the props she uses as reminders. Roxanne Abramowitz

The object in the foreground is a lava lamp which belonged to my grandfather, Victor L. Bedingfield.  Possibly fearing a probate battle among his grandchildren for this treasured, incongruous item, he gifted it to me on my thirty-fourth birthday, approximately six months before he died.  The faded labels on the base include a line that he spoke to me over the phone probably three weeks before his passing:  “I think about you every day.”  This shocked me.  My grandpa had many things, and many people in his life to think about.  But in a world where we often receive the message that we are NOT special, or unique, or cared about, here was a deep voice of authority countermanding that message and reminding me that I was being thought of.  The clarity of that message was startling and palpable and life changing.  And I realized that, indeed, I thought about HIM every day.  And so many others (as I know that I am not the only person that my Grandfather thought about each day).  There is room in our hearts for all.  So every morning, as the connection is made and the electricity surges through the filaments in the bulb, which then heat the orange globules producing the same strange shapes my siblings and cousins and I marveled at in our grandparents old fashioned house—I think, I remember, and I rejoice. Kevin Buick

Those of us who are able-bodied are sometimes referred to by the disabled community as “the temporarily able-bodied.”  It does put “the em-PHA-sis on the right syl-A-ble” as Mr Ellfeldt, my beloved childhood music teacher used to say at choir practice.

My husband Gordon went from able-bodied to quadriplegic in the time it took for a tire to blow out. This mouthstick was a tool of his trade. It was more comfortable and easier to use than the earlier ones with just two prongs. This one has a mouthpiece molded to his bite which was easily held and manipulated. The remaining marks from Gordon’s teeth are a surprisingly intimate and lovely reminder of him.
 
He used it for turning pages on his lapboard (a lapboard I am using right now to get the trackball down within reach after shoulder surgery) as he read aloud to me as I cooked or folded laundry. He had always read to me, though now there were pauses as he picked up the mouthstick out of the docking station on his wheelchair, turned the page, replaced the mouthstick, and continued on.
 
When he was first learning to turn pages in rehab, I couldn’t see how it would ever work at all. He used it even more constantly on his keyboard at the especially designed desk which came up to his chest. In time, his neck grew strong. In fact, his shirt collar increased two sizes.

The mouthstick was a godsend and yet it was slow and laborious to use. As I sit here with one arm in a sling, I’m amazed he wasn’t more frustrated than he was. He had helped to develop speech synthesis in the years I first knew him and here he was editing the monthly church newsletter one keystroke at time.
 
Gordon died nineteen years after his accident. There’s so much I didn’t keep, but this I have still.  I’m sorry I didn’t keep the plate-guards – they’d come in handy for me now. Louise Buck

As John and I built our life together, I became more aware of what I lost in never having had the chance to meet his mom who died in 1999, three years before we got together.

I came to know Grandma Dean through stories John’s daughters told and from John telling me how much she would enjoy my sons. Soon after we met he told me how his mom said when he was a teenager, “You better learn to speak better because someday you’re going to meet a cute English teacher, and you’ll open your mouth and it’ll be all over!” (She was wrong about that last part. :))

Some of the objects Dean loved grace our home. We have a few prints on the wall, an antique hutch with a marble top, three plates from Portugal decorated with peaches. And we have a drawerful of the chunky jewelry she wore that never fit my style or frame. John recently pulled this turquoise and silver cross from his nightstand and said, “This is sooo my mom!”

With the weight of it in my palm, I think about the objects and the places and the people Dean loved. I think especially about how close she and John were and how I know and love this man more with each passing year. It is possible, I now see, to grow a relationship, to grieve a relationship, with someone I never met. Laura Stavoe

More Resources

This American Life ran a show titled Good Grief last week that is right up our alley! Here are the episode notes:

So many of us, we don’t want to think about death. We avoid grieving when we lose someone, distract ourselves, look away. In this episode, at a moment when so many families are mourning, we have stories of people figuring out how they’ll grieve, and doing a pretty good job of it.

A new podcast related to end-of-life matters is 70 over 70 in which one of my favorite interviewers Max Linsky talks with seventy people who are over seventy years old. I found recent episodes with Norman Lear and Sister Helen Prejean particularly touching.

If you are inspired by these photo stories and want to read more about expressing grief through creativity, Heart Art is a Tending to Endings post from last summer that includes an essay on the topic and some resources.

To read Teresa’s story in her own words (and see the cottage surrounded by irises!) and other stories from readers, go to April 2020’s post: Your Words .

And if you like Tending to Endings, please become a subscriber by leaving your email below. Each installment will arrive in your inbox the first Friday of the month. Tending to Endings is cost-free and ad-free. You can also reach me at laura@laurastavoe.com or in the comments box below. I would love to stay in touch!

Laura


Library of Love

Tending to Endings (fifty-four)

When my sisters and I left home, my mom turned our childhood bedroom into what she called the Resource Room. She wanted a place to keep books and videos she liked to loan out to people, usually about gardening or other cultures or parenting or world peace.

The shelves included titles by her favorite authors Aldo Leopold, Parker Palmer, Annie Dillard, and Marian Wright Edelman. A case within kid reach held books by Mem Fox, Shel Silverstein, and Beverly Cleary. She had the full series of the Little House books and her own childhood favorites about Betsy, Tacy and Tib.

Kids could also find bags of blocks and bins full of Legos in the Resource Room, or an African sun harp, a ukulele, and a shoebox full of kazoos. There were fresh magic markers, piles of paper, and sometimes even finger paint.

After the grandchildren had grown, neighbor kids came over and could almost always talk my mom into sitting on the floor with them to build a tower.

More than a resource room, mom had an enthusiasm room. Sometimes we talk about teachers as people motivated by self-sacrifice, but I don’t think my mom saw it that way. She shared knowledge because it spilled out from her and needed somewhere to go. She wanted you to have the same opportunities for epiphanies and creativity she did. Shared learning was her favorite way to connect. In today’s lingo, learning was my mom’s love language.

Last weekend my son Dylan came by to install a late birthday present and an early Mother’s Day gift, surprising me with the little library we had talked about last fall. I thought it would be fun to put one on the trail behind our backyard where people often hike past to enter the trail system.

Dylan built it in the colors and fashion of our old Elkhaven house in the mountains we lived in during the boys grade school years. I loved the idea of it surprising people on their hike, though it puts some faith in people’s willingness to carry a book a short ways down the hill!

I have certainly inherited my mom’s enthusiasm for sharing whatever I’m learning at the exact moment I’m learning it. It’s one of the reasons writing this blog has been rewarding for me. And I expect I will soon have more learning to share, as next week I’m beginning a class towards certification as an end-of-life doula through INELDA (The International End-of-Life Doula Association).

I don’t know if doula is the role I’m after, exactly. But I am open and excited to learn. I’m also grateful to each of you for reading along. I have missed writing a post weekly, and I think of things to tell you all month long! It turns out, shared learning is my love language, too. Well, that and really good coffee.

More Resources

Someday when I decide how to organize it, I will resurrect my resource page on the website. In the meantime, here are a few new finds on the theme of endings.

A Tale for The Time Being. A Novel by Ruth Ozeki.

Photo from the author’s website.

It’s not often that I read a book twice because there is just so much to read! But recently I’ve returned to two books that I have wanted to continue to carry with me. One was Braiding Sweetgrass, by Robin Wall Kimmerer, which I wrote about last summer.

A Tale for the Time Being, the second, is fiction told through multiple characters and voices. It offers meditations on the meaning of life and death across cultures and generations; on climate change and technology and bullying; on losing a parent or a child; on the wisdom and the blind spots of elders, and the wisdom and blind spots of the young; on suicide and endangered species and trees. On the power of words to transcend time and place. 

I’m not sure how Ozeki fit so much thought into a book. or how she did so in a way that is artful and engaging even when the topics are disturbing or complicated. I found the book ultimately hopeful, creative, and reassuring.  Ozeki’s site has a short video about the book.

When Women Were Birds: Fifty-Four Variations on Voice. A Memoir by Terry Tempest Williams

I taught a workshop and took a writing workshop last month and in both courses someone recommended Terry Tempest William’s book published in 2013, which I took as a sign.

When Williams’ mom was dying of cancer, she asked her to take her journals home with her, but to not read them until she was gone. There were three shelves full of journals, and Williams did as her mother asked. After her mother’s death, Williams opened each of the journals and discovered every page of every book was blank.

The fifty-four short chapters that follow are reflections born of those empty pages. It is a beautiful, poignant book, and it especially spoke to me now as I have become aware of the blank spaces that are inevitable after any loss. Mom and I were close, and still there are so many stories she never told me, so many questions I never thought to ask. Williams book is about loss, but also, it is about different ways of knowing, and different forms of strength. It is about how sometimes silence can be a powerful choice.

Dick Johnson is Dead. A Film by Kirstin Johnson.

Link to Trailer

When I was only a third of the way into the documentary Dick Johnson Is Dead, I was already reaching out to my sisters and friends over text asking—Have you seen this yet? They all came back, No, should I? And I answered, Not sure yet.

Now I’m sure. This film is in turns, creative, heart-hurting, funny, weird, sad, ethically complicated, beautiful, and so very true to the experience of Alzheimer’s. Or at least, for me, the experience of being a daughter watching a parent (in my case my mother) affected by Alzheimer’s.

There are many moments when Johnson was filming her dad and I saw something so very familiar. Probably most poignant was watching how Dick Johnson maintained his wit and charm, long after he lost the ability to understand or feel that joy behind it. He was charming by rote, by habit. The fact that this happened to another besides my mom seemed both a sadness and a salve.

If you aren’t sure about this one, you may want to start with an interview with Kirsten Johnson on Fresh Air in which she speaks to the challenges including ethical questions around the making the film.

Departures. A Film Directed by Yojiro Takita.

My cousin, Kevin recommended the film Departures after following my posts, and I’m so glad he did! It is a film that won an Academy Award best foreign language film in 2009, and there are many things that make it an excellent film: the music, the filming, the engaging story that took unexpected turns. But I think what it brought into focus for me most was how rituals and traditions around tending to the body of a loved one after death, can help us through all the other more nebulous parts of loss–the grief, the unanswered questions, the denial, the fear.

Saving a Language You’re Learning to Speak. Interview with Larry Kimura

As soon as I listened to this episode of Code Switch, I sent it to all of my family members, and I wished I could share it with my mom. Hawai’i is sacred ground for my mom, and she considered it a privilege to spend time on the islands and to work with students at the grade school in Lahaina each week. She would’ve loved this hopeful story born of one man’s passion to keep the Hawaiian language and culture alive.

He Mele Aloha No Ka Niu. A Poem by Brandy Nālani McDougall

He Mele Aloha no ka Niu is one of many beautiful poems included in When the Light of the World Was Subdued, Our Songs Came Through: A Norton Anthology of Native Nations Poetry, edited by Joy Harjo. This poet first caught my eye because she is from Kula in Maui’s upcountry, another place my mom loved. Like Kimura’s work, McDougall’s poems also speak to the theme of language and culture, lost and sometimes found.

Eagle Poem by Joy Harjo

And then I’ll leave you with one more short poem by Joy Harjo that felt like a gift this morning when I happened upon it. You can read or listen to Eagle Poem at The Poetry Foundation.


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Mahalo,

Laura

Jane Stavoe in her element with Bailey, Gabe, and Jeff.

No Time at All

Tending to Endings (thirty-eight)

It is true our lives

will betray us in the end

but life knows where it is going. 

—Linda Hogan, Parting

My first reaction upon hearing from my sister on Friday night that Ruth Bader Ginsburg had died was noooooooo. It was resistance to the tumult and chaos that was about to ensue, still six weeks before the election. So many of us wanted her to hold on. She so wanted to hold on. My first reaction was self-centered fear.

But I have walked close to death recently and so it didn’t take but a minute to pull myself back, to pause and remember what this is. To whisper to the night: Thank you. Safe Passage. Much love. You were brilliant. Go in peace knowing what you gave us was more than enough. For, don’t we all deserve to be sent off on a wave of love? I want to be that love.

And then, what I knew next–RBG is still with us. We haven’t lost what matters most, so long as we pay attention.

I recently listened to a friend’s story of caring for her mother. Cat’s mother died only a few weeks ago and I got to sit on the bank of the Snake River in Hagerman and listen to her story of the long, hard illness and the quiet moments during caregiving, and the magic that happened between them in the days leading up to her mom’s death.

Cat said, “People keep asking if I’m alright, and my heart is actually OK. Grief is quickly followed by comfort and my relationship with my mom has grown even stronger. When I find that very quiet space inside of myself that’s where I can find her.”

And I knew what she meant. I do grieve the loss of being able to call my mom and talk through the election or the last book or whether the plant that surprised me in my yard is a flower or a weed. I miss being able to sit with her or travel with her or play a game of Scrabble.

But, also, I feel as close to my mom as I ever have. She is with me. So is my friend Susan and my mentor Pat and my grandma Jean. When I go to that quiet place within me, these soul friends welcome me. I rely on them.

It always feels tricky to write about things of the spirit that happen in such interior spaces. I worry it will sound like I’m trying to talk people into a particular belief, which is not my aim. So I’ll just say that my experience of death has changed as I’ve spent more time with those who are dying and especially since the death of my mom. One of the things I carry with me is that my relationship with my mom or my friend Pat or my friend Susan or my grandmother are transformed, but not ended.

I don’t fully understand any this. Sometimes I wish I came from a culture where interaction with the souls of those who have departed is accepted in everyday life—where they show up in dreams and stories and across the dinner table—because I don’t always have the language to talk about these experiences.

But I know it is true that my mom helps me every day.

So why not RBG as well? True, I didn’t know her personally. But her work transformed our culture and the way many of us see ourselves and the world. She is with us.

Like many of us, I am troubled by the fact that we seem to be living out the plot to a dystopian novel lately. We are told we are polarized. And maybe we are. Or maybe the loudest voices are and we are living in a culture that has incentivized and thus magnified the extremes: those willing to take up arms, those seeking to confound rather than to understand. Or maybe sometimes the person we identify as the fringe is someone acting on impulse having a particularly bad day.

None of this is to say that we aren’t standing–collectively and individually–on a precipice or that things couldn’t tumble in a variety of directions. My own sense, though, is that the choice before us is ultimately not between left and right. And it is not about finding some happy middle. Instead, I suspect the radical choice that matters is whether we are going to dig deep and find the courage to choose love? Or are we going to let fear have the day?

Last week I included a link to a podcast of an interview between Krista Tippett and angel Kyoda williams, a Zen priest, activist, and author of Being Black: Zen and the Art of Living with Fearlessness and Grace. During the interview, williams describes this kind of love that relies on internal work and action in a way that I found helpful:

It is developing our own capacity for spaciousness within ourselves to allow others to be as they are — that that is love. And that doesn’t mean that we don’t have hopes or wishes that things are changed or shifted, but that to come from a place of love is to be in acceptance of what is, even in the face of moving it towards something that is more whole, more just, more spacious for all of us. Its bigness. Its allowance. Its flexibility. It’s saying the thing that we talked about earlier, of “Oh, those police officers are trapped inside of a system, as well. They are subject to an enormous amount of suffering, as well.”

I think that those things are missed when we shortcut talking about King, or we shortcut talking about Gandhi. We leave out the aspects of their underlying motivation for moving things, and we make it about policies and advocacy, when really it is about expanding our capacity for love, as a species

Later in the interview, williams identifies the kind of action that comes from that place of love:

I think that if we can move our work, whatever work we’re up to, whatever kind of desire that we have for our own development in life, to be willing to face discomfort and receive it as opportunity for growth and expansion and a commentary about what is now more available to us, rather than what it is that is limiting us and taking something away from us, that we will — in no time at all, we will be a society that enhances the lives of all our species.

And that is the phrase that makes my heart catch: no time at all. Tippett comments on it, too, the hope inherent in that statement, and williams confirms it is exactly what she means.

…we are evolving at such a pace — even what we’re experiencing now in our society, we’re just cycling through it. We’re digesting the material of the misalignment. We’re digesting the material of how intolerable it is to be so intolerant. We’re digesting the material of 400, 500 years of historical context that we have decided to leave behind our heads, and we are choosing to turn over our shoulders and say: I must face this, because it is intolerable to live in any other way than a way that allows me to be in contact with my full, loving, human self.

My mom, too, believed in this kind of love and the power of it to transform. She might express it differently, at least to me, her daughter. For, when I bring my fretting about the election and about the supreme court seat to the quietest place in myself, Mom responds with her half smile and a glint in her eye, Oh, Laura, so you think the fate of equality and our nation rests on one 87 year old woman staying on the bench?

And she is not trying to diminish RBG’s work or the importance of this election or what follows. She is reminding me that strategy and politics will not be enough to save us. For that we need a Love that includes all of us.

A Question for Readers

Thank you for reading Tending to Endings. In a future issue I am planning to write about ways to begin conversations with parents about end-of-life planning. Have you had conversations with your parents that have gone well or not so well? What did you learn? Or, have your kids brought the discussion to you? How did it go?

If you are willing to share your experience or thoughts or questions on this topic, please send an email (or a voice memo file if that is easier) to Laura@laurastavoe.com.

Tending to Endings runs each Friday. If you would like to subscribe please leave your name and email below.

Slow Food

Tending to Endings (thirty-seven)

My teachers come in many forms—friends, apricot trees, students, neighbors, rivers, my own fears lifting. Some of the teachers I feel closest to are those I’ve never met except through their books. These authors have helped me see differently or more wholly, and sometimes their wisdom becomes foundational to my own thinking and writing.

As I’ve gotten older, I’m less concerned with being original in my writing and more concerned with being honest and precise. Each day brings new stories, new contexts. But the wisdom always belongs to the collective.

For instance, it occurred to me recently that that the title—Tending to Endings—is probably rooted in a line I have carried with me since 2016 from Mary Oliver’s essay “Upstream”: Attention is the beginning of devotion. The line reminds me when I am overwhelmed by all I don’t know and don’t understand about something important—like grief or love—to begin by turning towards rather than away. To make peace with death, then, I might begin by paying it some attention.

Lately I have had more space in my life for not only the compulsive reading I always do—the skimming of articles to get the gist of things—but also for sinking into books composed thoughtfully, carefully, over time. Certain books require attention of mind and heart. For all the strangeness of the past year and a half of my life, I have been grateful it has allowed space for that kind of reading. These books feel like conversation more than consumption. They are books I can talk with on a long hike afterwards:  agreeing, questioning, turning things over in the light, welling up with recognition.

Below are just a few that have recently influenced my own thinking, probably my writing, and hopefully my living, too. These works contain too many nooks and crannies to do justice to in a summary or a critique. And so instead I am including a few quotes from each that have stayed with me long after I set the book down.

Mary Oliver, Upstream: Selected Essays.

Oliver converses with Poe, Emerson, Whitman, and Wordsworth in this collection of essays. And also, owls, turtles, her house, and the long dark nights of winter. Here are three quotes from her essay, “Winter Hours”:

We speak of the light of reason. I would speak here of the darkness of the world, and the light of _____. But I don’t know what to call it. Maybe hope. Maybe faith, but not a shaped faith—only, say, a gesture, or a continuum of gestures. But probably it is closer to hope, that is more active, and far messier than faith must be. Faith as I imagine it is tensile, and cool, and has no need of words. Hope, I know is a fighter and a screamer. (147)

Through these woods I have walked thousands of times. For many years I felt more at home here than anywhere else, including our own house. Stepping out into the world, into the grass, on the path, was always a kind of relief. I was not escaping anything. I was returning to the arena of delight…Eventually I began to appreciate—I don’t say this lightly—that the great black oaks knew me. (151)

I would say that there exist a thousand unbreakable links between each of us and everything else, and that our dignity and our chances are one. The farthest star and the mud at our feet are a family; and there is no decency or sense in honoring one thing, or a few things, and then closing the list. The pine tree, the leopard, the Platte River, and ourselves—we are at risk together, or we are on our way to a sustainable world together. We are each other’s destiny. (154)

Linda Hogan, Dwellings: A Spiritual History of the Living World

Linda Hogan is fairly new to me. I’m currently reading her poems (Dark, Sweet.), fiction (People of the Whale), and this collection of essays, Dwellings. Through all her writing she weaves together science and spirit and story. Hogan does not hesitate to bring the hardest things about living in this world into the discussion, and she does so in a way that is specific and gorgeous and that offers guidance.

From her essay “A Different Yield”:

When I was a girl, I listened to the sounds of the corn plants. A breeze would begin in a remote corner of the field and move slowly toward the closest edge, whispering. (47)

When I first heard of Barbara McClintock, it confirmed what I thought to be true about the language of corn. McClintock is a biologist who received a Nobel Prize for her work on gene transposition in corn plants. Her method was to listen to what corn had to say, to translate what the plants spoke into a human tongue. (48)

In a time of such destruction, our lives depend on this listening. It may be that the earth speaks its symptoms to us. With the nuclear reactor accident in Chernobyl, Russia, it was not the authorities who told us that the accident had taken place. It was the wind. The wind told the story. It carried a tale of splitting, of atomic fission, to other countries and revealed the truth of the situation. The wind is a prophet, a scientist, a talker.

These voices of the world infuse our every act, as much as does our own ancestral DNA. They give us back ourselves, point a direction for salvation. (52-53)

James Baldwin, The Fire Next Time

I always thought I had read The Fire Next Time, but it turns out I had only felt like I had because I’d heard it referenced so many times. Last year, I finally did read the slim book of two essays written in the form of letters. The writing is beautiful and searing and precise. It pains me that it is still timely. I can’t help but wonder, would we even need books like White Fragility in 2020, if more of us had read and received what Baldwin gave us in 1962. These passages are from the second letter of the two in the book, “Down at the Cross: Letter from a Region in My Mind.”:

There appears to be a vast amount of confusion on this point, but I do not know many Negroes who are eager to be “accepted” by white people, still less to be loved by them: they, the blacks, simply don’t wish to be beaten over the head by the whites every instant of our brief passage on this planet. White people in this country will have quite enough to do in learning how to accept and love themselves and each other, and when they have achieved this—which will not be tomorrow and may very well be never—the Negro problem will no longer exist, for it will no longer be needed. (21-22)

What it comes to is that if we, who can scarcely be considered a white nation, persist in thinking of ourselves as one, we condemn ourselves with the truly white nations, to sterility and decay, whereas if we could accept ourselves as we are, we might bring new life to the Western achievements and transform them. The price of this transformation is the unconditional freedom of the Negro: it is not too much to say that he, who has been so long rejected, must now be embraced, and at no matter what psychic or social risk. He is the key figure in his country, and the American future is precisely as bright or as dark as his. And the Negro recognizes this, in a negative way. Hence the question: Do I really want to be integrated into a burning house? (94)

Baldwin comes back to love in this essay, but like Oliver’s hope and Hogan’s listening this isn’t a soft, pastel love. Nor is the self-love he refers to about narcissism, but its opposite. This love is wedded to honesty:

All of us know, whether or not we are able to admit it, that mirrors can only lie, that death by drowning is all that awaits one there. It is for this reason that love is so desperately sought and so cunningly avoided. Love takes off the masks that we fear we cannot live without and know we cannot live within. I use the word ‘love’ here not merely in the personal sense but as a state of being, or a state of grace—not in the infantile American sense of being made happy but in the tough and universal sense of quest and daring and growth. And I submit, then, that the racial tensions that menace Americans today have little to do with real antipathy—on the contrary, indeed—and are involved only symbolically with color. (95)

John O’Donohue, Eternal Echoes: Celtic Reflections on Our Yearning to Belong

My favorite book by John O’Donohue is Anam Cara, and this one, too, is a close companion. There is a warmth to O’Donohue’s language that makes the whole concept of suffering as spiritual growth seem less lonely. The passages below are from the chapter “Suffering as the Dark Valley of Broken Belonging”:

When we learn to see our illness as a companion or friend, it really does change the way the illness is present. The illness changes from a horrible intruder to a companion who has something to teach us. When we see what we have to learn from an illness, then often the illness can gather itself and begin to depart. (174)

It is difficult to be gentle with yourself when you are suffering. Gentleness helps you to stop resisting the pain that is visiting you. When you stop resisting suffering, something else begins to happen. You begin slowly to allow your suffering to follow its own logic. The assumption here is that suffering does not visit you gratuitously. There is in suffering some hidden shadowed light. Destiny has a perspective on us and our pathway that we can never fully glimpse; it alone knows why suffering comes. (157)

Christian Wiman, My Bright Abyss: Meditation of a Modern Believer

Christian Wiman is best known for his poetry, but he wrote this collection of essays while he faced an aggressive form of cancer in his thirties.

From the preface:

When my life broke open seven years ago, I knew very well that I believed in something. Exactly what I believed, however, was considerably less clear. So I set out to answer that question, though I have come to realize that the real question—the real difficulty—is how, not what. How do you answer that burn of being? What might it mean for your life—and for your death—to acknowledge that insistent, persistent ghost?

From his essay, “Tender Interiors”:

No, to die well, even for the religious, is to accept not only our own terror and sadness but the terrible holes we leave in the lives of others; at the same time, to die well, even for the atheist, is to believe that there is some way of dying into life rather than simply away from it, some form of survival that love makes possible. I don’t mean by survival merely persisting in the memory of others. I mean something deeper and more durable. If quantum entanglement is true, if related particles react in similar or opposite ways even when separated by tremendous distances, then it is obvious that the whole world is alive and communicating in ways we do not fully understand. And we are part of that life, part of that communication—even as, maybe even especially as, our atoms begin the long dispersal we call death. (35)

There’s been a lot of talk of elders lately, and often mine come in the form of books. These teachers, too, seem pull from some deep stream of knowing. They listen to wind and darkness and illness and love. They make clear, the thousand unbreakable links between us, even in the dark winter hours.

More Resources

If you have more time for listening to podcasts than reading, Kristin Tippett interviews three of these authors on various episodes of On Being.

Interview with John O’Donohue “The Inner Landscape of Beauty”

Interview with Mary Oliver “Listening to the World.”

Interview with Christian Wiman “How Does One Remember God?”


James Baldwin died before the era of podcasts, but these two recent interviews about race in America have given me grist and hope.

Interview with angel Kyodo williams “The World is Our Field of Practice”

Interview with Claudia Rankin (on Longform)

Claudia Rankine is a poet, essayist, and playwright. She is the author of the new book, Just Us: An American Conversation.

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