Band of Brightness

The little band of brightness that we call our life is poised between the darkness of two unknowns.

                                                      — John O’Donahue, Anam Cara

Tending to Endings (twenty-nine)

This week I am sharing a short passage from the manuscript I wrote following my mom’s death. This section comes from the final chapter of the book and covers the time early last summer when I was spending my days hiking and grieving and writing and making apricot jam.

Maybe it is because I’m back making apricot jam that I returned to this section, but when I did, I was reminded of how much my mother’s example helps me still, particularly through trying times.

Sometime soon I plan to collect stories from readers about people who help them through hard times. Please feel free to send me yours. Who serves as your teachers even after they have gone? And thank you to my friend Patty for getting my started by sending me a story of her uncle, which I will include in that installment!

Next week I will be taking a break from digital sites including my own, so there will not be a post of Tending to Endings on the 24th. I will be back with an essay for Friday, July 31.

Excerpted from Band of Brightness, “Home”

I carry my mother with me. I always have. Sometimes I have attempted to extricate myself from her out of fear I would never hear my own voice or I wouldn’t be able to distinguish mine from hers. Strong mothers are a gift—they show us we can be strong. But sometimes they also make it hard to know ourselves.

All of us raised by mothers carry at least some of their secrets. We are watching our mothers before they are even aware that we are separate from them.

My mom always loved and cared for me, but during some of my youngest years, I thought she did not like me as much as I wanted her to like me. Today I see that time in such different light. I believe what I sensed was her fear of the soft places in herself that she learned to make sturdy through intellect and values and humor and distance. Places that my young, sensitive self was trying to pry open.

My mother was a survivor of her own childhood. And I was a daughter who arrived with no knowledge of her past and with the belief that anything I witnessed had something to do with me.

It took me well into my thirties to recognize that I had an exceptionally good childhood.  It took me until her death to recognize how consistent and compassionate and rare her form of strength was. She wanted her life to be an example. And it was.

In the late eighties Mom went through this time where she joined an organization called Beyond War and strengthened her commitment to nonviolent action. She got involved in many projects and she hung a photo of the earth taken from space in our living room. Into almost every conversation she would eventually inject the statement, “We are one,” as though it was the obvious conclusion to whatever we had been saying. To her the words were profound, but I was a literature major at the time, and to me it sounded like a trite cliché with awkward grammar.

Thirty years later, I realize that even though she stopped saying it with such frequency, Mom lived—we are one—like a practice. She lived it in the quiet way she connected to people she met on the bus or in a restaurant. In the way she fed the birds outside our kitchen window and then sprinkled seed on the ground for the squirrels. In the way she would bring neighbors to our patio and children to her garden even after her children had grown. She lived it in the way she would not criticize someone who disagreed with her. She would speak her mind, but she would not try to take someone else down. Friends who disagreed knew where she stood, and they loved her.

Not that everyone loved my mom. Mom was a letter-to-the-editor writer and one time she wrote a letter to the local paper making a case for peaceful negotiation rather than military response to some international crisis that was escalating. It was in the early days of online comments, before the concept of trolls and before I understood how mean comments would eventually get. Someone wrote a response to my mom’s letter calling her a stupid old lady who believes fairy dust was going to save us.

I was hurt and worried for my mom. I was angry someone would say something so disrespectful. I called my mom hoping she didn’t even see the comment. But she just laughed and said, “That doesn’t hurt me, Laura. I think it’s funny that someone would think something like that. They clearly don’t know me.”

My mom was strong.

When I meditate or hike in the foothills or stand on my yoga mat, I sense a connection to people and animals and rivers and sky. I sense that oneness with the world.

But, my mom went further than that. She treated people on a daily basis as though that connection was true. She knew that what hurts one, hurts all. What nurtures one, nurtures all. She spent her time on earth living the nurture part of that equation, the best she knew how.

I think back to that planet earth photo in my childhood home, now, during a time when our global situation is bringing home my mom’s mantra to us all. Maybe fast enough, maybe not, but it is becoming obvious, our connectedness. We can argue if we want.

Still, we are one.

Thank you for reading Tending to Endings, and I will look forward to posting again on July 31. If you are new here or interested in a rerun, Room For Grief seems relevant though it was written in March when we first went into quarantine.

If you would like to subscribe to Tending to Endings, please leave your name and email below.

Much love,

Laura

photo of Laura

Listening to Land

Tending to Endings (twenty-six)

I am from the forsythia bush,

The Dutch elm

Whose long gone limbs I remember

As if they were my own…

George Ella Lyon, Where I’m From

A few weeks ago in a story circle I was asked to share a story of my ancestors and I was embarrassed that I felt stumped. I feel very connected to the family stories of relatives I know. But going back before my grandparents’ generation, what I have are anecdotes that may be true or may be lore, a few names, and at least six mostly European countries to draw upon. The stories I have do not quite feel like my own, and I have not yet made a point of learning more.

I have been listening to Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge and the Teachings of Plants, by Robin Wall Kimmerer which on one hand does not seem to be a book about endings or end-of-life. But on the other hand seems to offer a view into the benefits of knowing the stories of those (human and nonhuman) who came before us. In some ways it is a reminder that lives never really end, they just get carried forward knowingly or unknowingly in the land and the people and the ways of what comes next.

Kimmerer gently and beautifully makes a case for forming a reciprocal relationship with land. She speaks from the perspective of scientist and storyteller and daughter of mother earth. She reminds me that place, too, offers us ancestors. She writes, “This is really why I taught my daughters to garden–so they would have a mother to love them long after I am gone.”

I don’t garden yet, though I hold out hope for myself. I know gardening was a meditative and community practice for my own mom. Every year she invited the fourth and fifth grade classes at a nearby school to help plant and harvest food in her backyard. My mom responded to birds and flowers and squirrels with the same way she responded to toddlers, with respect and love and joy.

Kimmerer writes,

Knowing that you love the earth changes you, activates you to defend and protect and celebrate. But when you feel that the earth loves you in return, that feeling transforms the relationship from a one-way street into a sacred bond.

And I think, yes, this is what I saw in my mother.

Even without a garden, I relate to the way Kimmerer speaks of the relational aspects of place and how loving places can connect us to the stories of those who came before us.

When John and I bought the house we currently live in it had only been owned by the couple who built it. Their names, Beryl and Otto, were carved into a wood plaque on the front porch. Their grandkids’ heights are still penciled on the wall of the garage next to sketches of sharks and dolphins. Both Otto and Beryl lived in the house up until they died.

I feel connected to this couple I only know through handwriting on notes next to utilities, their charming choice of light fixtures, the giant trees they planted that shade the yard from afternoon sun. The house they built in 1981 is sturdy and sound. They planted apple and cherry and walnut trees that blossom in spring and one apricot that shows off during a bumper year, producing more fruit than our family, friends, neighbors or visiting deer can possible consume. I think of Beryl and Otto often. I feel a kinship in our shared caring for this place.

When I would take writing workshops into K-12 classrooms through a non-profit arts program, I’d often share a poem by George Ella Lyon, Where I’m From as one of my no-fail writing prompts. It always brought forth student poems brimming with imagery that would make a parent or a teacher’s heart swell. This was true whether the writers were third graders from bright leafy neighborhoods or teenagers writing from the juvenile detention center or the kids living in migrant camps near the orchards along the Snake River corridor.

Kids would name the tree outside their bedroom, the tamales their auntie made, the butte shaped like a lizard sleeping against the horizon near home. They would name the the things their father always said, their own Imogenes and Alafairs, their grandparents’ scars. They were connecting to ancestors—human and nonhuman—with words.

Beyond my literal home, too, I have found this sense of belonging particularly in places where story is still present in the curve of the land. I feel it in the cave walls of wild river canyons, or walking through forgotten cemeteries, or coming upon an ancient dwelling in the cliffs of Southern Utah. It is not a blood connection that I have to the people or animals or stones. But maybe what Kimmerer names as kinship with the people who worked and walked and died before me. It is not an intellectual knowing; the earth hums.

North Fork of the John Day River circa 2008

Kimmerer’s philosophy on reciprocity and gratitude has brought to mind the custom that is gaining momentum of opening events by first naming the indigenous land on which they are held. It has made me think, maybe it goes beyond being a gesture of correction and respect. Maybe it is also an offering. A way for many of us to begin finding an entry point to a fuller story of where we are from.

I have not always leaned into the hard stories of the places I’ve lived. America has so much to grieve, to atone for, to heal. Sometimes I think, it is too much. Like a pandemic, like Alzheimer’s, like death. But that is my ego talking. That is fear and denial. Besides, Kimmerer’s writing reminds me, the stories of our past shape us with or without our knowledge or consent.

I have learned this from my own personal history over and over again, why would it not be true of our collective story as well? I have also learned that when I finally do open, I am never sorry.

Wendell Berry’s famous lines from How to Be a Poet have always rung true for me:

There are no unsacred places;

There are only sacred places

and desecrated places.

Now I think, though, that maybe all places are both. Humans inhabit this earth sometimes by force and sometimes by carelessness and sometimes by heart. I want more heart.

More Resources

I’ve begun talking about this time as my accidental sabbatical as I’ve been spending a lot reading! The books below are ones that have given me a fuller view of where I am from. Some of them I have mentioned in earlier posts as well.

Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge, and the Teaching of Plants, Robin Wall Kimmerer

The Warmth of Other Suns: The Epic Story of America’s Great Migration, Isabel Wilkerson

Stamped from the Beginning: A Definitive Guide to Racist Ideas in America, Ibram X. Kendri.

An American Sunrise: Poems, Joy Harjo

The Fire Next Time, James Baldwin

A Little Bit of Wisdom: Conversations with a Nez Perce Elder, by Horace Axtell with Margo Aragon

Next week I will share what I learned from the surveys. Thank you so very much for the thought and heart you put into those! I’m very excited. Feel free to continue to send feedback to laura@laurastavoe.com in the meantime, or anytime.

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