Tending to Endings (twenty-eight)
When the towers in New York were hit by airplanes, I was the mother of twin six-year-olds and an English teacher to classrooms full of middle and high school students at a community school in Idaho. In the days that followed the tragedy, I set aside the planned for curriculum and instead, my students and I wrote poems. We eventually turned it into literary journal that included contributions from each student and faculty in the school. The theme of the first annual RiverRock Review was hope.
I’ve been thinking lately about the the relationship between creativity and upheaval. When my foundation is shaken and nothing makes sense, creativity suddenly feels meaningful, worthy, even comforting. I always know art is important, but there is something about crises or loss or major life transitions that makes creative pursuits one of the few endeavors worthy of the conditions. Art doesn’t have to make sense.
During the years I taught creative writing through a nonprofit arts center in Boise, I often worked with students whose lives were in transition. Some of the most powerful writing came from students at the school for pregnant and parenting teens, the cancer unit at the hospital, the juvenile detention center. Having lost many of the things that had defined their former life, these writers were seeing things anew. It was a gift to bear witness to their journey.
Sometimes I think all of the cooking is going on these days is part of that same impulse to create during a time of collective grief. As Grace Paley demonstrates in The Poet’s Occasional Alternative, it is an art form that is more dependable in terms of satisfaction than writing a poem.
The painted rocks and crocheted hearts and sidewalk murals feel part of this creative energy, too. As does gardening, which has been on an upswing. My father, who spent much of the first spring after my mom’s death planting flowers, tells me this year he cannot find his usual plants at the nursery because so many people are growing gardens.
We aren’t always very good in our culture about encouraging creativity. We remind each other to exercise and eat and sleep right, but we really don’t remind each other to be creative very often, though I am sure it is as important as being intellectually and physically active. I don’t mean creating art for galleries or for the masses, but rather, exercising the muscle. I mean playing around with music or words or the dirt in the garden.
Especially when the ground beneath me is shifting, creativity helps me to get from one day to the next. One of the reasons I have so many details from my mom’s experience to use in these posts is that I journaled during the time I was caregiving. I didn’t know whether I would ever share any of that material publicly, but I found comfort in putting sentences around the experience.
I realize writing isn’t comforting for everyone. I love messing around with with words, but if someone hands me a colored pencil and tells me to draw something, I usually feel anxious. I know for many people, the opposite is true. When it comes to creating during hard times, I think it helps to pick a form that feels more like play than performance.
And now when so many people are separated from those they love most, it occurs to me that art is another way we find each other.
In The American Book of Living and Dying, authors Richard Groves and Henriette Anne Klauser tell a heart wrenching story of a four-year-old with leukemia on hospice care whose mom is incarcerated. The girl loves to draw pictures, particularly of sunflowers and she even paints one on her bald head, which becomes her signature. The mother, Angie, is encouraged to engage in art therapy from the prison, and the two begin to share drawings as a way of healing relationship wounds and connecting. Years later, Angie eventually teaches art therapy in a senior center using her daughters pictures and experience as a model.
Though my mom died the spring before Covid-19 isolations, she was separated by an ocean and a cognitive disease from many loved ones. The memory book we put together brought many of her friends to her during her final days. And people added their own projects. My aunt quilted a blanket using soft textures and my mom’s favorite shades of blue. My dad brought moms favorite Hawaiian flower arrangements to her bedside. My sisters made playlists from old favorites like the Carpenters “Close to You,” and Cat Steven’s “Peace Train.”
Hearing about how much my mom responded to music, my son Dylan sang a beautiful version of Iron and Wine’s “Trapeze Swinger” and sent the file to our phones so we could play it for my mom in her last days.
My mom received these creative offerings. Even after she could no longer talk, they would make her smile. They were a form of connecting when very little else held meaning.
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Dad’s garden. Dylans music. Carol’s blankets. Creativity moves things. It feels good when it is hard to feel good about anything. It honors moments when everyday tasks, like turning to page 373 of the textbook after your country has sustained a tragedy, feel wrong. Instead, you write a poem about hope. You build a castle in the sandbox with your toddler. Plant a garden, make a quilt, curate a slide show. You sing a song.
Other Resources
Alive Inside, is a powerful and inspiring documentary about the power of music on those living with dementia.
The Artist’s Way: A Spiritual Path to Higher Creativity, by Julia Cameron is a book that offers a path for reconnecting with creativity and shedding some of the obstacles that get in the way of creative expression.
Poetic Medicine: The Healing Art of Poem Making, by John Fox is a book about writing poetry as a way of healing. It offers information and exercises.
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