Slow Food

Tending to Endings (thirty-seven)

My teachers come in many forms—friends, apricot trees, students, neighbors, rivers, my own fears lifting. Some of the teachers I feel closest to are those I’ve never met except through their books. These authors have helped me see differently or more wholly, and sometimes their wisdom becomes foundational to my own thinking and writing.

As I’ve gotten older, I’m less concerned with being original in my writing and more concerned with being honest and precise. Each day brings new stories, new contexts. But the wisdom always belongs to the collective.

For instance, it occurred to me recently that that the title—Tending to Endings—is probably rooted in a line I have carried with me since 2016 from Mary Oliver’s essay “Upstream”: Attention is the beginning of devotion. The line reminds me when I am overwhelmed by all I don’t know and don’t understand about something important—like grief or love—to begin by turning towards rather than away. To make peace with death, then, I might begin by paying it some attention.

Lately I have had more space in my life for not only the compulsive reading I always do—the skimming of articles to get the gist of things—but also for sinking into books composed thoughtfully, carefully, over time. Certain books require attention of mind and heart. For all the strangeness of the past year and a half of my life, I have been grateful it has allowed space for that kind of reading. These books feel like conversation more than consumption. They are books I can talk with on a long hike afterwards:  agreeing, questioning, turning things over in the light, welling up with recognition.

Below are just a few that have recently influenced my own thinking, probably my writing, and hopefully my living, too. These works contain too many nooks and crannies to do justice to in a summary or a critique. And so instead I am including a few quotes from each that have stayed with me long after I set the book down.

Mary Oliver, Upstream: Selected Essays.

Oliver converses with Poe, Emerson, Whitman, and Wordsworth in this collection of essays. And also, owls, turtles, her house, and the long dark nights of winter. Here are three quotes from her essay, “Winter Hours”:

We speak of the light of reason. I would speak here of the darkness of the world, and the light of _____. But I don’t know what to call it. Maybe hope. Maybe faith, but not a shaped faith—only, say, a gesture, or a continuum of gestures. But probably it is closer to hope, that is more active, and far messier than faith must be. Faith as I imagine it is tensile, and cool, and has no need of words. Hope, I know is a fighter and a screamer. (147)

Through these woods I have walked thousands of times. For many years I felt more at home here than anywhere else, including our own house. Stepping out into the world, into the grass, on the path, was always a kind of relief. I was not escaping anything. I was returning to the arena of delight…Eventually I began to appreciate—I don’t say this lightly—that the great black oaks knew me. (151)

I would say that there exist a thousand unbreakable links between each of us and everything else, and that our dignity and our chances are one. The farthest star and the mud at our feet are a family; and there is no decency or sense in honoring one thing, or a few things, and then closing the list. The pine tree, the leopard, the Platte River, and ourselves—we are at risk together, or we are on our way to a sustainable world together. We are each other’s destiny. (154)

Linda Hogan, Dwellings: A Spiritual History of the Living World

Linda Hogan is fairly new to me. I’m currently reading her poems (Dark, Sweet.), fiction (People of the Whale), and this collection of essays, Dwellings. Through all her writing she weaves together science and spirit and story. Hogan does not hesitate to bring the hardest things about living in this world into the discussion, and she does so in a way that is specific and gorgeous and that offers guidance.

From her essay “A Different Yield”:

When I was a girl, I listened to the sounds of the corn plants. A breeze would begin in a remote corner of the field and move slowly toward the closest edge, whispering. (47)

When I first heard of Barbara McClintock, it confirmed what I thought to be true about the language of corn. McClintock is a biologist who received a Nobel Prize for her work on gene transposition in corn plants. Her method was to listen to what corn had to say, to translate what the plants spoke into a human tongue. (48)

In a time of such destruction, our lives depend on this listening. It may be that the earth speaks its symptoms to us. With the nuclear reactor accident in Chernobyl, Russia, it was not the authorities who told us that the accident had taken place. It was the wind. The wind told the story. It carried a tale of splitting, of atomic fission, to other countries and revealed the truth of the situation. The wind is a prophet, a scientist, a talker.

These voices of the world infuse our every act, as much as does our own ancestral DNA. They give us back ourselves, point a direction for salvation. (52-53)

James Baldwin, The Fire Next Time

I always thought I had read The Fire Next Time, but it turns out I had only felt like I had because I’d heard it referenced so many times. Last year, I finally did read the slim book of two essays written in the form of letters. The writing is beautiful and searing and precise. It pains me that it is still timely. I can’t help but wonder, would we even need books like White Fragility in 2020, if more of us had read and received what Baldwin gave us in 1962. These passages are from the second letter of the two in the book, “Down at the Cross: Letter from a Region in My Mind.”:

There appears to be a vast amount of confusion on this point, but I do not know many Negroes who are eager to be “accepted” by white people, still less to be loved by them: they, the blacks, simply don’t wish to be beaten over the head by the whites every instant of our brief passage on this planet. White people in this country will have quite enough to do in learning how to accept and love themselves and each other, and when they have achieved this—which will not be tomorrow and may very well be never—the Negro problem will no longer exist, for it will no longer be needed. (21-22)

What it comes to is that if we, who can scarcely be considered a white nation, persist in thinking of ourselves as one, we condemn ourselves with the truly white nations, to sterility and decay, whereas if we could accept ourselves as we are, we might bring new life to the Western achievements and transform them. The price of this transformation is the unconditional freedom of the Negro: it is not too much to say that he, who has been so long rejected, must now be embraced, and at no matter what psychic or social risk. He is the key figure in his country, and the American future is precisely as bright or as dark as his. And the Negro recognizes this, in a negative way. Hence the question: Do I really want to be integrated into a burning house? (94)

Baldwin comes back to love in this essay, but like Oliver’s hope and Hogan’s listening this isn’t a soft, pastel love. Nor is the self-love he refers to about narcissism, but its opposite. This love is wedded to honesty:

All of us know, whether or not we are able to admit it, that mirrors can only lie, that death by drowning is all that awaits one there. It is for this reason that love is so desperately sought and so cunningly avoided. Love takes off the masks that we fear we cannot live without and know we cannot live within. I use the word ‘love’ here not merely in the personal sense but as a state of being, or a state of grace—not in the infantile American sense of being made happy but in the tough and universal sense of quest and daring and growth. And I submit, then, that the racial tensions that menace Americans today have little to do with real antipathy—on the contrary, indeed—and are involved only symbolically with color. (95)

John O’Donohue, Eternal Echoes: Celtic Reflections on Our Yearning to Belong

My favorite book by John O’Donohue is Anam Cara, and this one, too, is a close companion. There is a warmth to O’Donohue’s language that makes the whole concept of suffering as spiritual growth seem less lonely. The passages below are from the chapter “Suffering as the Dark Valley of Broken Belonging”:

When we learn to see our illness as a companion or friend, it really does change the way the illness is present. The illness changes from a horrible intruder to a companion who has something to teach us. When we see what we have to learn from an illness, then often the illness can gather itself and begin to depart. (174)

It is difficult to be gentle with yourself when you are suffering. Gentleness helps you to stop resisting the pain that is visiting you. When you stop resisting suffering, something else begins to happen. You begin slowly to allow your suffering to follow its own logic. The assumption here is that suffering does not visit you gratuitously. There is in suffering some hidden shadowed light. Destiny has a perspective on us and our pathway that we can never fully glimpse; it alone knows why suffering comes. (157)

Christian Wiman, My Bright Abyss: Meditation of a Modern Believer

Christian Wiman is best known for his poetry, but he wrote this collection of essays while he faced an aggressive form of cancer in his thirties.

From the preface:

When my life broke open seven years ago, I knew very well that I believed in something. Exactly what I believed, however, was considerably less clear. So I set out to answer that question, though I have come to realize that the real question—the real difficulty—is how, not what. How do you answer that burn of being? What might it mean for your life—and for your death—to acknowledge that insistent, persistent ghost?

From his essay, “Tender Interiors”:

No, to die well, even for the religious, is to accept not only our own terror and sadness but the terrible holes we leave in the lives of others; at the same time, to die well, even for the atheist, is to believe that there is some way of dying into life rather than simply away from it, some form of survival that love makes possible. I don’t mean by survival merely persisting in the memory of others. I mean something deeper and more durable. If quantum entanglement is true, if related particles react in similar or opposite ways even when separated by tremendous distances, then it is obvious that the whole world is alive and communicating in ways we do not fully understand. And we are part of that life, part of that communication—even as, maybe even especially as, our atoms begin the long dispersal we call death. (35)

There’s been a lot of talk of elders lately, and often mine come in the form of books. These teachers, too, seem pull from some deep stream of knowing. They listen to wind and darkness and illness and love. They make clear, the thousand unbreakable links between us, even in the dark winter hours.

More Resources

If you have more time for listening to podcasts than reading, Kristin Tippett interviews three of these authors on various episodes of On Being.

Interview with John O’Donohue “The Inner Landscape of Beauty”

Interview with Mary Oliver “Listening to the World.”

Interview with Christian Wiman “How Does One Remember God?”


James Baldwin died before the era of podcasts, but these two recent interviews about race in America have given me grist and hope.

Interview with angel Kyodo williams “The World is Our Field of Practice”

Interview with Claudia Rankin (on Longform)

Claudia Rankine is a poet, essayist, and playwright. She is the author of the new book, Just Us: An American Conversation.

If you would like to subscribe to Tending to Endings, please leave your name and email below. It is a two-part process to subscribe, so please check your junk mail if you do not receive confirmation in your inbox. You can also reach me at laura@laurastavoe.com. Thank you for reading!

Saying More

Tending to Ending (thirty-five)

Two weeks ago, when I wrote about CaringBridge, I typed out the name of the cancer my mom had and then I pulled it out again before sending out Tending to Endings. I questioned this decision–this is a blog about talking about things after all–but I hesitated because it seemed unnecessary for the point of the post, and it’s a cancer that is not easy to drop easily into a sentence without feeling the need to say more.

Ultimately, I decided that I would instead write another post about how certain diseases carry stigma that make them difficult to talk about, which of course can ultimately lead to more isolation during a time when community support could help the person and the family.

It makes sense that I would hesitate before putting medical information about my mom on the internet. There is a spectrum between public and private and posting on the web falls to one extreme. But stigma goes beyond that—it makes us hesitate even among close friends and family. It makes us question whether we are betraying a person by mentioning their struggle.

Alzheimer’s of course is one such disease. Many people feel they need to hide the symptoms. For my mom this tendency started in earnest only after she had lost some of her capacity to make decisions. In the beginning of her disease which was first called a mild cognitive impairment, she would be very direct. When someone asked a question she couldn’t answer, she would often say, “I’m having a problem with my memory. Can you remind me…”

Years before she was diagnosed, she was aware of memory changes, which she attributed (and may well have been at that time) due to normal aging. Still, words she shared with friends and family in a book of collected poems, seem prescient now.

Poem by Jane Stavoe, circa 2002

It was later, in the last couple years of her life, that Mom treated her cognitive changes more secretly and I do not know whether this was fear of judgement or a symptom of her disease or something else.

I have been quite open about my mom’s Alzheimer’s on this blog. I believe she would agree that one way to relieve the stigma for others is to be willing to talk about it. Also, my mom and I shared a belief in storytelling as a way of finding strength. We may not be able to control outcome of all of the events in our lives, but in telling the story, we can choose our perspective, and this can be empowering and freeing.

Ron and Jane during my mom’s last visit to Idaho. August 2018.

The other disease my mom had was cancer of the vulva. You can say breast cancer these days or ovarian cancer or prostate cancer because of all of the people who have talked about these cancers in the past. But cancer of the vulva is still a bit much. It tends to stop any further conversation. Genitalia are not typically mentioned in conversation in our culture and when they are it is often as objects of desire or shame. Just mentioning my mom’s cancer feels utterly personal.

I often felt angry that my mom had to have this particular combination of illnesses. My mom was all about making meaning out of life and Alzheimer’s had robbed her of the ability to shape her own story. Then this second disease gave her intense, chronic pain in an area that is already sensitive. Because of the Alzheimer’s, she often did not know why she was hurting. Due to the shame that so often accompanies vaginal pain for women in our culture, I worried my mom would be afraid to acknowledge when she was hurting, or worse, feel somehow responsible for it.

I no doubt was projecting some of my own imagined responses onto my mom’s story. And in fact, my closeness with my mom during the last months of her life gave me a window into the ways my assumptions were wrong. Or maybe not wrong exactly, but one-dimensional like a flat character in a bad novel. I’m not saying there is anything good about Alzheimer’s or vulvar cancer, only that life with it can still contain good—and in fact contain a multitude of experiences. That is not something my fear presupposed.

My mom’s life was changed drastically by these diseases, and in ways that included pain, exhaustion, and at times, trauma. But her life also included curiosity and joy and contentment. During her five months on hospice care, there were many moments where she enjoyed eating pineapple or teasing my dad or telling us stories about my grandparents that I’d never heard before. She would grin upon spotting an egret or catching the eye of a toddler. She sit on the lanai and joke that it was so nice of the sky and the ocean to turn her favorite shade of blue.

And even later, when my mom’s memory and verbal skills had faded, she continued to shape her own story in ways that were both subtle and fierce. Watching that unfold was one of the most profound, reassuring experiences of my life. While my writing skills are not up to communicating the experience fully, a poem I wrote on CaringBridge the day before her death, reflects some of her strength.

Given the choice, I would not pick Alzheimer’s or cancer of the vulva for a way to go. But it is interesting to me that I have come out of that experience feeling less afraid of death and disease, not more. This is even true of Alzheimer’s which has long been a fear of mine.

I don’t know how to get past the stigma of vulvar cancer or any disease other than by first being willing to name it. For me the aim is not desensitization but rather the beginning of integration. By welcoming the unsayable into the lexicon of what it means to be human, I can begin to open. I see the disease has boundaries; I see the person again. Openness makes it possible for me to overcome fear and be in relationship with my community, with reality, with possibility. With Jane Stavoe in whatever way she shows up that day. Ultimately, it is a very satisfying way to live.

Whale watching on March 16, 2019. (Cheering neighbors and voice of Jane Stavoe).

More Resources

On the topic of saying more, recently I was introduced to a podcast Death, Sex, and Money, hosted by Anna Sale. The show has aired since 2014 and is quite popular, so many of you may already know about it. I’m not sure how I missed it for this long!

It is billed as a show “about things we think about a lot, and need to talk about more.” Even in episodes with a different theme, death tends to make its way into the conversation. Which is how I think it actually should work in a more perfect world: that discussion of dying weaves its way into many conversations because it is such a common and profound human experience, rather than being relegated to Death Cafés or blogs that focus on focused on end-of-life.

One recent episodes that may be of interest is A Widow’s Guide to Grieving. As I listened, I was reminded of how many different ways there are to experience grief, and how refreshing to hear a variety of perspectives. I’m including the link to this particular page because it also includes a playlist on the topic of grief, which is one of the themes I get the most response from on this blog.

Thank you for reading! If you would like to subscribe, please leave your name and email below.

Band of Brightness

The little band of brightness that we call our life is poised between the darkness of two unknowns.

                                                      — John O’Donahue, Anam Cara

Tending to Endings (twenty-nine)

This week I am sharing a short passage from the manuscript I wrote following my mom’s death. This section comes from the final chapter of the book and covers the time early last summer when I was spending my days hiking and grieving and writing and making apricot jam.

Maybe it is because I’m back making apricot jam that I returned to this section, but when I did, I was reminded of how much my mother’s example helps me still, particularly through trying times.

Sometime soon I plan to collect stories from readers about people who help them through hard times. Please feel free to send me yours. Who serves as your teachers even after they have gone? And thank you to my friend Patty for getting my started by sending me a story of her uncle, which I will include in that installment!

Next week I will be taking a break from digital sites including my own, so there will not be a post of Tending to Endings on the 24th. I will be back with an essay for Friday, July 31.

Excerpted from Band of Brightness, “Home”

I carry my mother with me. I always have. Sometimes I have attempted to extricate myself from her out of fear I would never hear my own voice or I wouldn’t be able to distinguish mine from hers. Strong mothers are a gift—they show us we can be strong. But sometimes they also make it hard to know ourselves.

All of us raised by mothers carry at least some of their secrets. We are watching our mothers before they are even aware that we are separate from them.

My mom always loved and cared for me, but during some of my youngest years, I thought she did not like me as much as I wanted her to like me. Today I see that time in such different light. I believe what I sensed was her fear of the soft places in herself that she learned to make sturdy through intellect and values and humor and distance. Places that my young, sensitive self was trying to pry open.

My mother was a survivor of her own childhood. And I was a daughter who arrived with no knowledge of her past and with the belief that anything I witnessed had something to do with me.

It took me well into my thirties to recognize that I had an exceptionally good childhood.  It took me until her death to recognize how consistent and compassionate and rare her form of strength was. She wanted her life to be an example. And it was.

In the late eighties Mom went through this time where she joined an organization called Beyond War and strengthened her commitment to nonviolent action. She got involved in many projects and she hung a photo of the earth taken from space in our living room. Into almost every conversation she would eventually inject the statement, “We are one,” as though it was the obvious conclusion to whatever we had been saying. To her the words were profound, but I was a literature major at the time, and to me it sounded like a trite cliché with awkward grammar.

Thirty years later, I realize that even though she stopped saying it with such frequency, Mom lived—we are one—like a practice. She lived it in the quiet way she connected to people she met on the bus or in a restaurant. In the way she fed the birds outside our kitchen window and then sprinkled seed on the ground for the squirrels. In the way she would bring neighbors to our patio and children to her garden even after her children had grown. She lived it in the way she would not criticize someone who disagreed with her. She would speak her mind, but she would not try to take someone else down. Friends who disagreed knew where she stood, and they loved her.

Not that everyone loved my mom. Mom was a letter-to-the-editor writer and one time she wrote a letter to the local paper making a case for peaceful negotiation rather than military response to some international crisis that was escalating. It was in the early days of online comments, before the concept of trolls and before I understood how mean comments would eventually get. Someone wrote a response to my mom’s letter calling her a stupid old lady who believes fairy dust was going to save us.

I was hurt and worried for my mom. I was angry someone would say something so disrespectful. I called my mom hoping she didn’t even see the comment. But she just laughed and said, “That doesn’t hurt me, Laura. I think it’s funny that someone would think something like that. They clearly don’t know me.”

My mom was strong.

When I meditate or hike in the foothills or stand on my yoga mat, I sense a connection to people and animals and rivers and sky. I sense that oneness with the world.

But, my mom went further than that. She treated people on a daily basis as though that connection was true. She knew that what hurts one, hurts all. What nurtures one, nurtures all. She spent her time on earth living the nurture part of that equation, the best she knew how.

I think back to that planet earth photo in my childhood home, now, during a time when our global situation is bringing home my mom’s mantra to us all. Maybe fast enough, maybe not, but it is becoming obvious, our connectedness. We can argue if we want.

Still, we are one.

Thank you for reading Tending to Endings, and I will look forward to posting again on July 31. If you are new here or interested in a rerun, Room For Grief seems relevant though it was written in March when we first went into quarantine.

If you would like to subscribe to Tending to Endings, please leave your name and email below.

Much love,

Laura

photo of Laura

Looking, Learning

Tending to Endings (twenty-seven)

Thank you for the thoughtful ideas and questions you sent in during these last couple weeks! In response to the survey, readers have asked for more about caregiving, grief, and living with Alzheimer’s. Readers said they would like to read about the importance of friendships and other support systems, and more about how various cultures approach death.

From your emails, I’ve gathered some great questions to explore:

Why do people often feel guilty when someone dies, like they could have prevented or changed someone’s death?

What cultural forces have made death a taboo topic and what resources are there to help turn that around?

How do we make friends with death rather than fearing it?

How can we let go of preconceived ideas about a loved one’s death, so we can be present for how it actually unfolds?

These and the other wise questions energize and also humble me. How will I ever learn enough to write the post on making friends with death?! What if I get it wrong? And then I remember this is about being a learner not an expert. (I’ll never title a post, Five ways to die with dignity!) But I will explore and share experiences, insights, and resources I find along the way.

It sometimes seems a low bar for a yearlong blog, paying attention to endings. But when I think of how rare it is to comfortably discuss death in our culture, even among close friends or family, it suddenly seems a year isn’t long enough.

It is an expedition that inspires me, not only because of the big questions contained within the mystery of death. But also because there are small, everyday gifts there. I believe there is life in every nook and cranny of life, including the last moments of breath. And it is life that I do not want to miss.

I hope you will continue to send your ideas and questions my way. Please also consider sending me resources that you find if you think they would be helpful for others.

Workshops

I only had a few takers on the various online workshops I suggested. I think maybe the timing isn’t right for that. We have a plethora of online courses and events to choose from these days! With summer in full swing, many of us are longing for less screen time and more outdoor time.

I also know that not everyone is comfortable with online videoconferencing. Just for your information, the platform I use for meetings is Zoom which is easy to learn, and I have privacy settings selected so that participant information is not recorded or saved. I will check back in later in the year to see if there is more interest.

More Voices

In the meantime, I do want to include more voices in the blog. I’ll continue to share books and online resources, and I also plan to do more phone interviews with people who work in the field of hospice care or grief counseling or ministry. Since Covid-19 is currently on the upswing in Boise, my more experiential research is likely to remain on hold for awhile.

I also plan to include more stories from people who do not work in the field. The thing I hear over and over from friends who have done hospice work is that every death is unique. This again reminds me of birth stories and how paying attention to each others stories not only give us more information, but also offers ways to connect during one of the most profound experiences of life.

One way I hope to gather some of these diverse experiences will be to pose a question and a call for stories every now and again, starting this week.

Call for Stories

Questions #1: What was your first experience learning about death?

For me it was my Aunt Gen when I was four or five years old. I loved my aunt who was a large woman with white hair and glasses with rhinestones that glistened. She came to my nursery school concert one afternoon where I played the the triangle and it made me feel important that she was there. I eventually chose my first pair of glasses after hers, choosing a light blue pair with sparkly stones in the corner though mom tried to talk me into tortoise shell frames.

One evening I heard my parents talking about something serious in the kitchen. When I entered the room, they told me that Aunt Gen was very sick in the hospital. She had cancer. I asked to see her and my mom told me kids weren’t allowed but that maybe they could make a special exception. Maybe I could visit her from the hallway. This part of my memory doesn’t make much sense to me, and I may be remembering it wrong. I was very young after all. But soon after, I had a dream that I got to wave to my aunt Gen who was standing at the end of a long corridor.

In real life, I did not get to see Aunt Gen again. She died soon after that kitchen conversation, and I felt utterly betrayed. My response was an epic tantrum full of anger and endless tears that became part of family lore. It was a story my mom would use to describe my personality, Laura feels things deeply. It was recalled each time I would have to leave a friend I’d made camping and would sob all the way home.

I would love to hear your stories about your first remembered experience with death. Send them however is easiest for you: email laura@laurastavoe.com; post in the blog comments section or even to the blog link on my Facebook page; send a voice file from your phone if you don’t want to write it down. Seriously, whatever is easiest! Feel free to include a photo if you have one. 

Your memory can be a few sentences or a full page. I am just looking for a variety of experiences to reflect on and possible share in a future column. I will respond to you individually, and I will ask before using your words in a post.

This Independence Day, I wish for you a sense of connection and unity and purpose as we reflect on and celebrate the ideals of our country. Thank you for being here! Have a wonderful holiday weekend. 

This holiday, I wish for you a sense of connection and unity and purpose as we reflect on and celebrate the ideals of our country. Thank you for being here! Have a wonderful holiday weekend.

Laura

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Listening to Land

Tending to Endings (twenty-six)

I am from the forsythia bush,

The Dutch elm

Whose long gone limbs I remember

As if they were my own…

George Ella Lyon, Where I’m From

A few weeks ago in a story circle I was asked to share a story of my ancestors and I was embarrassed that I felt stumped. I feel very connected to the family stories of relatives I know. But going back before my grandparents’ generation, what I have are anecdotes that may be true or may be lore, a few names, and at least six mostly European countries to draw upon. The stories I have do not quite feel like my own, and I have not yet made a point of learning more.

I have been listening to Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge and the Teachings of Plants, by Robin Wall Kimmerer which on one hand does not seem to be a book about endings or end-of-life. But on the other hand seems to offer a view into the benefits of knowing the stories of those (human and nonhuman) who came before us. In some ways it is a reminder that lives never really end, they just get carried forward knowingly or unknowingly in the land and the people and the ways of what comes next.

Kimmerer gently and beautifully makes a case for forming a reciprocal relationship with land. She speaks from the perspective of scientist and storyteller and daughter of mother earth. She reminds me that place, too, offers us ancestors. She writes, “This is really why I taught my daughters to garden–so they would have a mother to love them long after I am gone.”

I don’t garden yet, though I hold out hope for myself. I know gardening was a meditative and community practice for my own mom. Every year she invited the fourth and fifth grade classes at a nearby school to help plant and harvest food in her backyard. My mom responded to birds and flowers and squirrels with the same way she responded to toddlers, with respect and love and joy.

Kimmerer writes,

Knowing that you love the earth changes you, activates you to defend and protect and celebrate. But when you feel that the earth loves you in return, that feeling transforms the relationship from a one-way street into a sacred bond.

And I think, yes, this is what I saw in my mother.

Even without a garden, I relate to the way Kimmerer speaks of the relational aspects of place and how loving places can connect us to the stories of those who came before us.

When John and I bought the house we currently live in it had only been owned by the couple who built it. Their names, Beryl and Otto, were carved into a wood plaque on the front porch. Their grandkids’ heights are still penciled on the wall of the garage next to sketches of sharks and dolphins. Both Otto and Beryl lived in the house up until they died.

I feel connected to this couple I only know through handwriting on notes next to utilities, their charming choice of light fixtures, the giant trees they planted that shade the yard from afternoon sun. The house they built in 1981 is sturdy and sound. They planted apple and cherry and walnut trees that blossom in spring and one apricot that shows off during a bumper year, producing more fruit than our family, friends, neighbors or visiting deer can possible consume. I think of Beryl and Otto often. I feel a kinship in our shared caring for this place.

When I would take writing workshops into K-12 classrooms through a non-profit arts program, I’d often share a poem by George Ella Lyon, Where I’m From as one of my no-fail writing prompts. It always brought forth student poems brimming with imagery that would make a parent or a teacher’s heart swell. This was true whether the writers were third graders from bright leafy neighborhoods or teenagers writing from the juvenile detention center or the kids living in migrant camps near the orchards along the Snake River corridor.

Kids would name the tree outside their bedroom, the tamales their auntie made, the butte shaped like a lizard sleeping against the horizon near home. They would name the the things their father always said, their own Imogenes and Alafairs, their grandparents’ scars. They were connecting to ancestors—human and nonhuman—with words.

Beyond my literal home, too, I have found this sense of belonging particularly in places where story is still present in the curve of the land. I feel it in the cave walls of wild river canyons, or walking through forgotten cemeteries, or coming upon an ancient dwelling in the cliffs of Southern Utah. It is not a blood connection that I have to the people or animals or stones. But maybe what Kimmerer names as kinship with the people who worked and walked and died before me. It is not an intellectual knowing; the earth hums.

North Fork of the John Day River circa 2008

Kimmerer’s philosophy on reciprocity and gratitude has brought to mind the custom that is gaining momentum of opening events by first naming the indigenous land on which they are held. It has made me think, maybe it goes beyond being a gesture of correction and respect. Maybe it is also an offering. A way for many of us to begin finding an entry point to a fuller story of where we are from.

I have not always leaned into the hard stories of the places I’ve lived. America has so much to grieve, to atone for, to heal. Sometimes I think, it is too much. Like a pandemic, like Alzheimer’s, like death. But that is my ego talking. That is fear and denial. Besides, Kimmerer’s writing reminds me, the stories of our past shape us with or without our knowledge or consent.

I have learned this from my own personal history over and over again, why would it not be true of our collective story as well? I have also learned that when I finally do open, I am never sorry.

Wendell Berry’s famous lines from How to Be a Poet have always rung true for me:

There are no unsacred places;

There are only sacred places

and desecrated places.

Now I think, though, that maybe all places are both. Humans inhabit this earth sometimes by force and sometimes by carelessness and sometimes by heart. I want more heart.

More Resources

I’ve begun talking about this time as my accidental sabbatical as I’ve been spending a lot reading! The books below are ones that have given me a fuller view of where I am from. Some of them I have mentioned in earlier posts as well.

Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge, and the Teaching of Plants, Robin Wall Kimmerer

The Warmth of Other Suns: The Epic Story of America’s Great Migration, Isabel Wilkerson

Stamped from the Beginning: A Definitive Guide to Racist Ideas in America, Ibram X. Kendri.

An American Sunrise: Poems, Joy Harjo

The Fire Next Time, James Baldwin

A Little Bit of Wisdom: Conversations with a Nez Perce Elder, by Horace Axtell with Margo Aragon

Next week I will share what I learned from the surveys. Thank you so very much for the thought and heart you put into those! I’m very excited. Feel free to continue to send feedback to laura@laurastavoe.com in the meantime, or anytime.

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